Friday, January 30, 2015
A Japanese nuclear reactor blows up.
The futures market goes kerflooey.
Uber-hacker Nick Hathaway is the white hat to connect the dots and stop the Blackhat. But he's in prison!
One ankle-bracelet and stern talking-to later and he's sprung.
What ensues is a hectic globe dash in pursuit of the evil-doer who's onto something bigger.
And he's off.
Maybe you, dear movie-goer, will figure out what the heck is going on. But don't waste your gray cells. The Movie Slut suspects that's not the point. As is happens, our hacking ace is also handy with an assault rifle—an action figure come to life to leave dead bodies in his wake. (After he's removed the pesky ankle bracelet, of course.)
Yeah, it's that kinda flick.
Tuesday, January 27, 2015
|Bradley Cooper as a buffed up Chris Kyle, Navy Seal sniper.|
And then, some say it's nothing more than an anti-Arab, anti-Muslim screed.
It can't have all of these contradictory themes and that's why the Movie Slut considers it a Rorshach test in which moviegoers attach their own feelings about war and soldiers.
The film is based on the autobiography of Chris Kyle, a Navy Seal sniper, who is said to have the most enemy kills in U.S. history. And yet, he's not the prototypical gung ho warrior. Actually, he was a bit off before he enlisted to go to Iraq and a total wreck after four tours of duty.
The movie is directed by Clint Eastwood whom the MS has never associated with the word "nuance" until now. He portrays Kyle as both war hero and victim.
Also interesting is the video game approach to violence. Think of the movie as four video games with a brief intro and epilogue and see how you interpret it.
Thursday, January 15, 2015
|The march to Montgomery for voter rights.|
That's what the Movie Slut always says. In other words, a terrific story makes a terrific movie (or book or newspaper story.) So why isn't this movie about Dr. Martin Luther King's struggle to get the Voting Rights Act of 1965 passed an unequivocal winner?
Sure, there are powerful moments. Some that brought MS to tears. The beginning was shocking. The end was inspiring. Alas, the middle had too many draggy moments.
Still, MS calls this flick a must-see. She'd even see it again.
Sunday, January 11, 2015
|Jack O'Connell as Louie Zamperini|
First things first.
It's important to know that this movie is based on a book of the same title by Laura Hillenbrand. That book is subtitled, "A World War II story of survival, resilience & redemption." So, if like the Movie Slut, you expect to see a story about the entire life of the inspiring Louie Zamperini, you'll be disappointed.
You will see a bit of his early life. How the boy, who was always in trouble, became an Olympic runner. But you're quickly swept to WWII during which Louie was a bombadier. After his plane was shot down, he and three other airmen spent 47 days afloat in a raft. (Sharks, etc.) But that was nothing compared to his treatment at a Japanese prisoner of war camp.
Most of the 137-minute movie chroniclers his torture at the camp where he was singled out for the worst cruelty.
It's not easy watching.
Thursday, January 1, 2015
|Meryl Streep as the Witchy Woman|
The basic idea is fine: Weaving together a bunch of fairy tales into one mega-tale. You've got your witch (Meryl Streep); your wolf (Johnny Depp); a scullery maid (Anna Kendrik), with two wicked step sisters; a girl with loooooong blond hair; a little girl with a fondness for crimson hooded capes. Oh, yeah, you've also got a giant (two, actually), a beanstalk; a baker; a prince (Chris Pine) (Two of these, too.), etc., etc., etc.
The characters all have one thing in common. They long for something absent in their lives. But you know what they say about wishes. Be careful blah, blah, blah, blah.
All that could make for a fine flick, but in true Broadway style, the story had to be stretched until it was as thin as one gray hair on the head of a wicked witch. On and on it went until the MS wanted her $6 back.
|Mark Wahlberg as the guy who says he's not a gambler.|
"I'm not a gambler," James Toback (Mark Wahlberg) says many times in the film.
And sure, he could be in denial or just pulling a con-man move.
But what if something more was behind his protestation, something more interesting than a guy with an addiction to throwing away his money in a casino?
That would be more interesting. At least the MS thinks it is and that's how she viewed this movie. Her tip offs were the opening and closing scenes.
See it and decide for yourself.
|Amy Adams as Margaret Keane|
Full Disclosure: The Movie Slut owned a Keane "Big Eyes" painting when she was in college.
She loved it for it's pure kitchyness.
And so when this movie came to a nearby theater, she rushed there on opening night. And it was an eye opener.
Big Eyes is very much a feminist flick. In case you need a reminder about where a woman's place was in the 1960s, this is the movie for you.
If you're wondering how these cheesy paintings became the phenomenon they were, well, you'll just have to chalk it up to bad taste. The MS is guilty as charged.
There are blisters and tears and moments of real danger from the elements and people encountered along the way. But the highs outweigh the lows.
Reese Witherspoon plays this woman, and it is a testament to her acting skills that this movie is as good as it is. And this based-on-a-true-story flick is very, very good.
Quvenzhané Wallis as Annie